Show diversity,
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KI generiert: Das Bild zeigt einen Gartenbereich mit mehreren Schildern in deutscher Sprache, darunter ein großes Schild mit der Aufschrift "PARZELLE 3". Im Hintergrund sind Holzkonstruktionen und Informationstafeln zu sehen.

allotment 3

Contemporary garden art, concerts and exhibitions in the garden branch of the Kunsthaus Dresden in the allotment garden Flora I / Dresden-Striesen
Arrival

Kleingartenanlage Flora I e. V.

Bergmannstraße 39

01309 Dresden 
(Main entrance near the »El Horst« restaurant)

Admission

free

Opening hours

All open-air garden projects can be viewed daily. The »Parzelle 3« exhibition pavilion is open all year round except in the winter months from December to March.

This picturesque inner-city allotment garden site »Flora I« e. V. in Dresden-Striesen is home to an extraordinary model project of contemporary art. The project Parzelle 3 was initiated by the municipal Kunsthaus Dresden in collaboration with the gardening friends in the association: An artistic research garden with rare drought-loving wild plants from the region by Hamburg artist Nana Petzet, who was awarded the HAP Grieshaber Prize in 2023, can be seen as a growing long-term work of art. A medicinal plant garden by Italian-based artist Fatma Bucak and a monument to the drought-threatened forest by Dresden-born, multiple Documenta artist Olaf Holzapfel, a mural by South Tyrolean artist Gabriela Oberkofler and a »garden of grace« by Berlin-based Ulrike Mohr can also be seen on the grounds. Depending on the season, changing pavilion exhibitions on the coexistence of man and nature can be seen.

On fixed dates throughout the year, the Kunsthaus and the association also organise public garden concerts of contemporary music in the beautiful setting of the gardens.

Art projects on site with and by Nana Petzet, Olaf Holzapfel, Ulrike Mohr, Gabriela Oberkofler, Sonya Schönberger / Norbert Lang, Fatma Bucak and other current projects.

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Patrick Will: Urtica D.

19. Apr — 25. Aug 

In his artistic work, Patrick Will explores questions about the value of plants. Like many supposed 'non-herbs', the stinging nettle (Urtica) has been part of European culture and a companion of mankind for centuries. Its fibres have been used to make fabric and paint, and the lye extracted from it helps to regenerate the soil. Will tells the story of playing spaces from the perspective of this plant actor: nettles were part of it, in the peasant vegetable garden or in the shade of the manure heap. Despite their dreaded stinging hairs, they constantly offered their co-operation to humans, whether as food or material for textile production. Nettle soup is part of the childhood memories of older generations. But the adult plants are frustrated and need to take action: Herbicides and regular weeding by human farmers limit their habitat on the desolate heap, which is also growing ever larger and depriving them of precious light.

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